Ah, Krallice. Everyone loves to talk about you. Lovers of experimental music praise you for the genius of bringing new techniques to black metal. Black metal lovers hate you for not being true black metal. Now you drop a new album with no warning that no one knew you were working on.
I’ll admit that back in 2012 I was not ready to review Years Past Matter. I only gave it a 7/10 and admitted I didn’t get it. Buried in some 2014 blog post, I mentioned in passing that I had gone back to the album several times, and each time it got better. I love that album now. I think it is excellent. But that is another review. The point is that Krallice can take a lot of time to digest, and this has only been out for a week.
As usual, I think genre tags hurt here. You can’t go in expecting black metal or death metal with some experimentation. Like basically anything Marston is involved in, this is an experimental band first and maybe some black/death influences second. If you treat the band as something else, you’ll be in for a disappointment.
Ygg Huur is a pretty big departure from their previous effort. First, the album is much shorter. Second, the tracks are much shorter. Practically speaking, this means nothing gets as much development time. It is closer to Behold… the Arctopus in its rapid pacing. Each song has a few core ideas that get passed around, embellished slightly, layered in different ways, and then it’s over.
Part of what made earlier Krallice take a while to digest was trying to grasp the structure of their epic length tracks. This album feels more accessible in this regard. Already on the second or third time through I had figured out the pieces and structure.
On the other hand, there are definitely aspects that make this album less accessible. Their previous album seemed more coherent and melody driven. This album uses a patchwork of shorter motifs which makes the songs feel a little less coherent and more chaotic.
One of the things I praised them for in the past is their excellent use of counterpoint. This is still the case on this album. Krallice often has two or more melodic ideas that layer nicely. They strike the right balance of parallel and contrary motion between the voices.
If you were into Krallice for their epic builds, these still exist on some tracks (particularly “Tyranny of Thought”). They still have tempo changes that happen so cleanly one has to wonder how they manage it with no obvious metric modulation.
The evolution makes sense. Some parts sound just like old Krallice. Some parts are tightened up cutting of the fat. Some parts are new. I think the back half is much better than the first half. I always start the album thinking it is probably an 8/10, but then by the end I start thinking it is more like a 9/10.
So overall, I give it an 8.5/10. It is definitely recommended for fans of Krallice. I’m not sure they’ve changed enough for people who were dismissive of them before to pick it up and start liking it. Here’s a sample: