Mgła is a band people have been telling me to check out for a while. Their latest album has received rave reviews and many are calling it black metal album of the year.
At first, I didn’t like this album at all. It seemed very simplistic, formulaic, and repetitive. Every song is built out of some pretty short motifs in repetition that builds in intensity until they hit the climax, usually right at the end of the song. The album has more of a riff structure from death metal than the melodic focus of black metal.
This rubbed me the wrong way. These motifs aren’t very interesting on their own. There are brief moments of melody, but these are few and far between and de-emphasized. Even Krallice uses full melodic structures. Anyway, I decided to take my own advice and stop worrying about what the band ought to do and figure out if what they actually do works.
I’m glad I did this, because I’ve come around a lot on this one. I like that they named their tracks “Exercises in Futility” I-VI. It makes it sound like these really are six exercises in futility. The effect would be lost if they went down the path that some bands go nowadays with titles like “My Naked Body Became One With the Earth Under the Gaze of the Moon” or something.
I think the first few tracks do suffer quite a bit from the extreme repetition of pretty uninteresting ideas with little-to-no change. Each song gets a bit better, and by the end of the album, they’ve hit upon how to make the formula work. Much how Ulcerate takes almost nothing and builds intensity through layering, texturing, and dissonance, so does Mgła.
I’m actually baffled that the earlier tracks don’t use this. The only explanation I can come up with is that they wanted an album-long descent into intensity and dissonance (not that they really ever get super dissonant). But it isn’t worth this sacrifice.
The drumming is pretty wild on this thing. Sometimes it has a bit too much going on for the simplicity of the rest of the song. For instance, on the fourth track these weird ride symbol flourishes cut through everything, and it is all I can think about. Other times the drumming transitions into a standard rock beat. Most of the time it serves the song well, but a few moments it takes over to ill effect.
Overall, I definitely liked this album, but there are some serious flaws. There is no doubt this is a band to watch. If they can really pin down this formula, they could make a really great album. Also, I love the last two tracks. That’s where they got it right. I’ll give this a 7.5/10.
Here’s a sample: