Autumn Eternal is Panopticon’s third album in his bluegrass/black metal trilogy. I’ve reviewed them all so far, and I’m always pretty disappointed while remaining optimistic for the next one. I feel like a broken record, so this will probably be the last time I do one of these reviews unless the next album totally blows me away.
I love the concept. He takes black metal and tries to combine it with American folk. From an instrumental standpoint, this is a great idea. Instruments like banjo have a very harsh, metallic sound, but can also portray a deep sadness. Lots of folk songs are about tragic events like coal miners doing backbreaking work only to die in a cave in. This is the essence of black metal.
Unfortunately, when you pull the two ideas apart and merely shift back and forth between folk instruments and black metal it creates an uneven and partitioned album.
I don’t think the songwriting has evolved as much as some people say. As usual, the folk parts are excellent. The opening track has multiple melodies played in counterpoint, a beautiful blend of instruments, and interesting rhythm section. It is complex yet simple in the right ways.
The black metal sections remain a mystery to me. For example, take the end to “Into the North Woods.” It is an extended and repetitive fully synthesized outro. Nothing about this makes sense in the context of the song. The synthetic sound is cringe inducing and completely changes the aesthetic. It goes against all that the album stands for in its nature themes. The repetition makes me want to hit skip after almost a minute. What is the point of this outro? The album is long enough that there is no need for the filler. This same type of thing happens on future tracks as well like “Sleep to the Sound of Waves Crashing.”
He also introduces a very clean melodic lead guitar on most of the metal tracks. This also feels out of place and is again the wrong aesthetic. It is most noticeable in “Autumn Eternal” and is pretty much the only thing I can think about during that track. The prominence might just be a mixing issue.
In the next track, the melodic clean guitar works a lot better, because it gets integrated into the overall sound. And this basically sums up how I feel about it. The album is a highly inconsistent collection of ideas and aesthetic choices. This is disappointing because of how promising the ideas are.
There are some great moments to be sure. But there are also some Deafheaven-esque post-metal poppy progressions that ruin those moments. Overall, I give this a 6.5/10. Here’s a sample: